The Film Talk - The ongoing podcast conversation about movies with Jett Loe and Gareth Higgins

Comfort Films

August 3rd, 2008 · Comments

It’s Professor Doctor here, Dear Listener.  I’ve been trying to edit a book, and that process has reached the point where you feel that the whole project has been a naive waste - don’t worry, Dear Listener, it’s just a phase, and it will pass.  I have learned something new through the past few months of sitting at my desk and trying to find ways to inspire myself - I’ve discovered that there are certain movies I know so well that they serve the same purpose as music; I can have them on in the background and for some reason it becomes easier to work.  Doesn’t fit with every film I’ve ever seen - in fact, the organising theme appears to be that nostalgia for the films I saw as a teenager somehow makes work come more naturally to me.  My playlist for the past while includes ‘Back to the Future’, ‘Apocalypse Now’, ‘The Goonies’, ‘The Color of Money’, ‘Romancing the Stone’, and this morning I am trying to revise a lecture on the role of religion in violent conflict accompanied by the sound and images of ‘Hannah and her Sisters’.  These are all, of course, vastly different movies, and you, Dear Listener, may think that ‘Romancing the Stone’ does not belong on the same list as ‘Apocalypse Now’ (although, when you think about it, they’re both about jungle quests); but I think that along with asesthetic and artistic judgements, we evaluate and treasure films based on the context in which we saw them.  I don’t know why my parents let me stay up late one Christmas to see ‘One Flew Over the Cuckoo’s Nest’, but they did, and I’m glad that the image of a bloke throwing a sink out a window doesn’t just engage whatever critical faculties I have, but makes me feel the way I did when I had very few responsibilities.  And maybe that’s the key to nostalgia - we feel freer when we think about earlier times; or maybe we tend to get into nostalgic moods when we’re feeling the stress of today more clearly.  Who can be sure?  Does it even matter?  As one of the dock workers in another of my nostalgic favorites ‘On the Waterfront’ puts it, ‘I don’t know nothing, I ain’t seen nothing, and I ain’t saying nothing.’

So, I’m off to see Michael Caine find out the meaning of life; meantime, would be genuinely interested to hear from you, Dear Listener, about the films that make you feel nostalgic, help you work, give you a sense of liberation, or just happy inside.

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